danceview
a quarterly review of dance

Index of Issues

Volume 17 (2000)

DanceView (Vol. 17, Number 1)

Marc Haegeman
A Conversation with Aleksei Fadeyechev
The Bolshoi's new artistic director talks about upholding
traditions, the importance of coaching, and other revolutionary ideas

Jane Simpson
Remembering Fonteyn
A report on "The Fonteyn Phenomenon," a conference
held September 1999 in London

Nicole Collins
Merce Cunningham's 80th Summer
New works, revivals, an occasional piece, and reflections
on a legend: Merce Cunningham at the Lincoln Center
Festival 99

Marc Haegeman
Sylphs, Swans, and Farewells in Paris
Summer evenings with the Paris Opera Ballet
June-July 1999

Henry Helssen, Translated by Bjarne Hecht
A Glimpse of Massine
A Danish review from 1948: the design, music, drama,
audience reaction, historical and political background
of Massine's Symphonie Fantastique

Jane Simpson
Report from London

Mary Cargill
Report from New York

Rita Felciano
Report from San Francisco

Bruce Fleming
Exercises in Creative Misreading
Martha Clarke's Vers La Flamme

DanceView (Vol. 17, Number 2)

Mary Cargill
Bournonville Week
Style, tradition and character: the Bournonivlle Tradition in Copenhagen, January 2000

Alexandra Tomalonis
A Conversation with Nikolaj Hübbe
Art, politics, and a change of direction in Copenhagen

Carol Pardo
Individual Pleasures
The 1999-2000 Winter Season of the New York City Ballet

Marc Haegeman
Petipa in Europe
Report from Western Europe: Royal Ballet of Flanders - Dutch National Ballet - Kirov Ballet

Rita Felciano
Jewel of the Northwest Pacific Northwest Ballet at home

Silvia Kargl
A new impetus to the dance in Austria
Last summer's Vienna ImPuls Tanz Festival
revitalizes the dance scene in Austria

Jane Simpson
Report from London

Mary Cargill
Report from New York

Rita Felciano
Report from San Francisco

Bruce Fleming
Humor in Ballet

Volume 17, Number 3

Jane Simpson
A Conversation with Alexander Grant On Reviving Ashton

Doug Fullington
Comparing Bournonville Now With Petipa Then
Similarities and differences in steps seen on stage
and in notebooks

Carol Pardo
Making It Modern
Paris Opera Ballet’s Season

Mary Cargill
American Ballet Theatre’s Spring
Injuries, Triumphs, Intriguing Triple Bills and
Yet Another New, Improved Swan Lake

Jane Simpson
Report from London

Mary Cargill
Report from New York

Rita Felciano
Report from San Francisco
San Francisco Ballet: Looking Both Ways
A Season Review

Bruce Fleming
Full-Length Redux
Story Ballets After Modernism

Volume 17, Number 4

Lynn Garafola
Of Ballerinas and the Sublime,
Or What Peter Martins Thinks of Classicism

Mary Cargill
Dark Thoughts on the Diamond Project?

Leigh Wiitchel
Notes on Melissa Hayden’s Coaching
at Pacific Northwest Ballet

Alison Garcia
A Look Back at The Red Shoes

Kevin Ng
A Conversation with David Bintley

Mary Cargill
Bolshoi Summer

Jane Simpson
London Report

Rita Felciano
Bay Area Report

Bruce Fleming
Context is All

 

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Archives:
Ashton Archive
Balanchine Archive
Bournonville Archive

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In the Summer issue:

The Autumn Issue of DanceView is OUT!
(our subscription link is once again functional, so it's easy to subscribe on line)

Mary Cargill
All Ashton, All the Time
The Lincoln Center Ashton Celebration 3

Robert Greskovic
Margot Fonteyn—
Two New DVDs and a New Biography 12

Carol Pardo
That’s Entertainment
American Ballet Theatre’s Spring Met Season 19

Gay Morris
Gillian Murphy
Finding Her Way Through Movement 25

Carol Pardo
Paris Opera Ballet, Spring 2004 30

Alexandra Tomalonis
Watching Ballet in the City of Art
A Gala for Claude Bessy in Paris 34

Jane Simpson
London Report
Bolshoi and San Francisco Ballets,
and a Dance Film 36

Rita Felciano
Bay Area Report
Westwavedance Festival,
Hagen and Simone, TONGUE, Lily Cai
Chinese Dance Company, Shen Wei
Dance Arts, National Ballet of Canada 41

 

Writers

Mindy Aloff
Mary Cargill
Nancy Dalva
Rita Felciano
Lynn Garafola
Robert Greskovic
Mark Haegeman
Gay Morris
Carol Pardo
Jane Simpson
Alexandra Tomalonis (Editor)
Leigh Witchel

DanceView

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DanceView is published quarterly (January, April, July and October) in Washington, D.C. Address all correspondence to:

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by DanceView

last updated November 4, 2003 -->